Singer was in talks with MTV to appear on the show
Britney Spears won't perform on this year's MTV Video Music Awards, according to her manager.
"Contrary to media reports, Britney was never slated to perform on this year's VMAs," Larry Rudolph, Spears' director at Jive Records, aforesaid in a statement. "She's in the middle of recording her next record album, which is going surprisingly well, and her focus remains on the studio."
Spears' "Gimme More" comeback performance during last year's VMAs was ane of the most-talked-about moments of 2007. The tabloid queen is currently coming into court in musca volitans promoting this year's ceremony.
In June, MTV Networks Music Group President Van Toffler said the network wasn't ruling proscribed giving viewing audience another battery-acid of Spears at the VMAs. MTV later confirmed they were in dialogue to ingest Spears appear in some capacity. The rebounding pop out queen is nominated for video of the year for "Piece of Me."
This VMAs will air unrecorded Sept. 7 from Paramount Pictures Studios in Los Angeles. Previously announced prize show performers include Kid Rock, Lil Wayne, Pink, Rihanna, Paramore, T.I. and the Jonas Brothers.
Friday, 5 September 2008
Saturday, 16 August 2008
Download Sidney Bechet
 Artist: Sidney Bechet: mp3 download Genre(s): Jazz Rock Discography:  The Best 2004 Year: 2004 Tracks: 14  Legendary Sidney Bechet Year: 1990 Tracks: 22  Petite fleur (1949-1957) Year: 1988 Tracks: 16  Bechet's fantasy Year: 1958 Tracks: 23 Sidney Bechet was the first important jazz soloist on records in history (thrashing Louis Armstrong by a few months). A brainy treble saxist and clarinettist with a spacious vibrato that listeners either loved or hated, Bechet's style did not develop lots through and through the old age merely he ne'er lost his enthusiasm or creativeness. A master at both private and collective extemporisation inside the genre of New Orleans jazz, Bechet was such a predominant instrumentalist that trumpeters comprise it very unmanageable to play with him. Bechet wanted to play confidential information and it was up to the early horns to remain out of his way. Sidney Bechet studied clarinet in New Orleans with Lorenzo Tio, Big Eye Louis Nelson, and George Baquet and he developed so apace that as a baby he was playing with some of the top bands in the metropolis. He even taught clarinet, and unitary of his students (Jimmie Noone) was actually two long time elder than him. In 1917, he traveled to Chicago, and in 1919 he joined Will Marion Cook's orchestra, touring Europe with Cook and receiving a outstandingly perceptive review from Ernst Ansermet. While abroad he launch a soprano adolphe Sax in a entrepot and from then on it was his main legal document. Back in the U.S., Bechet made his recording debut in 1923 with Clarence Williams and during the next two long time he appeared on records mount megrims singers, interacting with Louis Armstrong and playacting some stunning solos. He was with Duke Ellington's former orchestra for a period and at 1 point hired a whitney Young Johnny Hodges for his have band. However, from 1925-1929 Bechet was abroad, traveling as far as Russia just getting in trouble (and disbursement clink clock time) in France earlier being deported. Most of the 1930s were relatively lean times for Bechet. He worked with Noble Sissle on and sour and had a brilliant session with his New Orleans Feetwarmers in 1932 (featuring trumpeter Tommy Ladnier). But he also ran a tailor's stag which was more than notable for its cram roger Sessions than for whatever money it mightiness make. However, in 1938 he had a hit recording of "Summertime," Hugues Panassie featured Bechet on some records and before long he was signed to Bluebird where he recorded quite a few classics during the next trey years. Bechet worked regularly in New York, appeared on some of Eddie Condon's Town Hall concerts, and in 1945 he tried unsuccessfully to have a band with the vet trumpeter Bunk Johnson (whose unceasing crapulence killed the send off). Jobs began to dry up around this time, and Bechet open up what he hoped would be a music schoolhouse. He only had one main pupil, just Bob Wilber became his protégé. Sidney Bechet's fortunes changed drastically in 1949. He was invited to the Salle Pleyel Jazz Festival in Paris, caused a sensation, and decided to go for good oversea. Within a couple geezerhood he was a major famous person and a national champion in France, even though the general populace in the U.S. never did know wHO he was. Bechet's last-place decade was filled with exciting concerts, many recordings, and infrequent visits endorse to the U.S. earlier his dying from genus Cancer. His coloured (if sometimes fanciful) memoirs Treat It Gentle and John Chilton's magnificent Bechet life story The Wizard of Jazz (which traces his life intimately week by week) ar both highly recommended. Many of Sidney Bechet's recordings are currently uncommitted on CD. |
David Byrne & Brian Eno, Everything That Happens Will Happen Today
Thursday, 7 August 2008
Monday, 16 June 2008
Sex and the City New York premier: Photos
Sarah Jessica ParkerEmmy Rossum at Sex And The City NYC Premier Tuesday, May 27, 2008. Photo Credit: Janet Mayer / PR Photos
May 28, 2008 () - The big screen version of HBO�s hugely successful TV serial, Sex and the City, premiered in New York City on Tuesday, May 27, at Radio City Music Hall.
The film's leading ladies, Sarah Jessica Parker, Cynthia Nixon, Kim Cattrall and Kristin Davis were all there.
Sarah Jessica Parker was the sartorial standout in a flowing metallic Nina Ricci gown. She walked the red carpet along with Matthew Broderick.
"It's the end of an incredibly long, blessed, happy, and amazing journey for all of us," Parker told ET
Other stars from the film present at the event included Chris Noth, Jason Lewis, Jennifer Hudson and Mario Cantone
Fergie, who recorded a song for the film, made an impressive style statement.
'Sex and the City' premieres in theaters nationwide this Friday, May 30.
May 28, 2008 () - The big screen version of HBO�s hugely successful TV serial, Sex and the City, premiered in New York City on Tuesday, May 27, at Radio City Music Hall.
The film's leading ladies, Sarah Jessica Parker, Cynthia Nixon, Kim Cattrall and Kristin Davis were all there.
Sarah Jessica Parker was the sartorial standout in a flowing metallic Nina Ricci gown. She walked the red carpet along with Matthew Broderick.
"It's the end of an incredibly long, blessed, happy, and amazing journey for all of us," Parker told ET
Other stars from the film present at the event included Chris Noth, Jason Lewis, Jennifer Hudson and Mario Cantone
Fergie, who recorded a song for the film, made an impressive style statement.
'Sex and the City' premieres in theaters nationwide this Friday, May 30.
Saturday, 7 June 2008
Just wha enough
With the release of her group's fourth album, Moana Maniapoto is taking stock of where her life, her music and her politics meet. She talks to Scott Kara
Moana Maniapoto wanders round her kitchen making cups of tea, cutting cake, slicing fudge, and pouring milk into a fancy white jug that looks more like a gravy boat. All this takes a while as she chats about meeting Bob Geldof in Germany last week ("I like him, he's very self-deprecating.") and how her 17-year-old son keeps her in touch with today's music, like the White Stripes, Kanye West ("He likes his politics"), and local lad Tiki Taane (who she wants to remix a song from her new album, Wha).She's nothing like the staunch, hard-talking Maori activist many people know her as. The musician and documentary maker, and leader of Moana and the Tribe, has never been scared to front up, be it about politics, Maori sovereignty issues, or getting te reo songs played on the radio."I haven't always been like that," she offers. "I come from a family who are shy and don't like conflict. But I've ended up with a whole bunch of people around me who can't be bothered with mucking around and are like, 'Bring it on'."
Like who?"Well, hell, I was married to Willie for years," she says of her ex-husband, the talkback host and former politician Willie Jackson. "The Jackson clan are a very strong family. And then there's my mentors and friends in my band, like [singer] Amiria Reriti, and I've watched my sister [Katarina] over the last few years, and she has come from the space I was at of being nice and accommodating and now, I tell ya, she's turned out just like us."But today, sitting at the dining table in her Grey Lynn apartment which has stunning views over sprawling rooftops towards the Waitemata, she's laid back, serene and at times, when talking about Wha, almost dreamy. Even so, she agrees she is a no bullshit-type person."I suppose you get to a certain age where you are very clear about your values and what's right and wrong and some things are immovable, and for your own piece of mind say something or do something about it rather than moaning,".On Wha there's the militant protest song Te Apo, which uses haka and sounds recorded by the Tribe at a protest in Hong Kong during the World Trade Organisation conference in 2006; the title track is about independence and sovereignty; and other tracks pay tribute to her heroes like the late Syd Jackson ("He was described as an activist but really he was a very compassionate person with a big heart.") and members of the Maori Battalion.These days though, for Maniapoto it's more about the music and the songs than pushing any cultural or political barrows."I'm not always trying to make a cultural point. Perhaps in the early days I was trying to say you can pull elements from traditional Maori music into the contemporary, and culturally and politically that fusion is going to produce something great. But now it's more about how do the musical elements all work together."
Moana Maniapoto wanders round her kitchen making cups of tea, cutting cake, slicing fudge, and pouring milk into a fancy white jug that looks more like a gravy boat. All this takes a while as she chats about meeting Bob Geldof in Germany last week ("I like him, he's very self-deprecating.") and how her 17-year-old son keeps her in touch with today's music, like the White Stripes, Kanye West ("He likes his politics"), and local lad Tiki Taane (who she wants to remix a song from her new album, Wha).She's nothing like the staunch, hard-talking Maori activist many people know her as. The musician and documentary maker, and leader of Moana and the Tribe, has never been scared to front up, be it about politics, Maori sovereignty issues, or getting te reo songs played on the radio."I haven't always been like that," she offers. "I come from a family who are shy and don't like conflict. But I've ended up with a whole bunch of people around me who can't be bothered with mucking around and are like, 'Bring it on'."
Like who?"Well, hell, I was married to Willie for years," she says of her ex-husband, the talkback host and former politician Willie Jackson. "The Jackson clan are a very strong family. And then there's my mentors and friends in my band, like [singer] Amiria Reriti, and I've watched my sister [Katarina] over the last few years, and she has come from the space I was at of being nice and accommodating and now, I tell ya, she's turned out just like us."But today, sitting at the dining table in her Grey Lynn apartment which has stunning views over sprawling rooftops towards the Waitemata, she's laid back, serene and at times, when talking about Wha, almost dreamy. Even so, she agrees she is a no bullshit-type person."I suppose you get to a certain age where you are very clear about your values and what's right and wrong and some things are immovable, and for your own piece of mind say something or do something about it rather than moaning,".On Wha there's the militant protest song Te Apo, which uses haka and sounds recorded by the Tribe at a protest in Hong Kong during the World Trade Organisation conference in 2006; the title track is about independence and sovereignty; and other tracks pay tribute to her heroes like the late Syd Jackson ("He was described as an activist but really he was a very compassionate person with a big heart.") and members of the Maori Battalion.These days though, for Maniapoto it's more about the music and the songs than pushing any cultural or political barrows."I'm not always trying to make a cultural point. Perhaps in the early days I was trying to say you can pull elements from traditional Maori music into the contemporary, and culturally and politically that fusion is going to produce something great. But now it's more about how do the musical elements all work together."
Friday, 6 June 2008
Jah Wobble and The Temple of Sound
Artist: Jah Wobble and The Temple of Sound
Genre(s):
Dance
Discography:
Shout at the Devil
Year: 2002
Tracks: 10
mp3 sounds
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